Spring 2012 starts with an homage to love, labor, family, and Mattel

There’s a first for everything and this spring’s first is a personal essay published in Doveglion Press. “Barbie’s Gotta Work” is about love, labor, and ironing underwear for golf fanatics in east county San Diego.

Here’s an excerpt:

Barbie’s Gotta Work
By Rashaan Alexis Meneses

Under the most surprising contexts, I’m constantly reminded of the efforts my parents and grandparents, aunts, uncles, and cousins have contributed for the sake of our family. In 1930, my maternal grandfather arrived from Limisawa, a small island in the Gulf of Leyte where Magellan landed and held the first Filipino mass. With nothing but a pail of adobo in his hand and in serious need of a warm coat, no sea breeze or monsoon could have prepared him for the San Francisco chill that greeted him in his new home. Before arriving, he had raised and supported his brothers and sisters by managing their small family farm in the Phillippines. With my grandmother working at his side as well in the States, my grandfather juggled three jobs while raising his children.

Born in California, my paternal grandmother shuttled across the Central Valley following the harvests as many Mexican migrant families do. She doesn’t count her adolescent days picking tomatoes and prunes as official jobs because every kid in her family and in the surrounding neighborhoods worked the fields. For my grandma, hop-picking was the perfect excuse to get out of the house and meet the young, military-rated 4F men who committed backbreaking labor on the hopyards…

Read the entire piece here.

Image from Jemboy’s World

“Tropical Island Fun with Barbie and Miko” January 26, 2009

The Barbie Travel Agent Set was a surprise gift from Santa who, ironically, had designs to usher and initiate me into Third Wave Feminism:

Image from The Henry Ford Museum, “Happy 50th Birthday, Barbie!” March 2009

Revving up for the APASA Keynote Graduation Speech at Saint Mary’s College

Honored to be delivering the keynote speech at Saint Mary’s College of California’s for the following ceremony:

Asian Pacific American Graduate Celebration
Saturday, May 14th
2-4 p.m.
Hagerty Lounge (Please note the change in location; it was originally scheduled in LeFevre Theater.)

Here’s a taste of the speech, an excerpt from an essay written in response to a call for Fil-Am literature:

“Barbie’s Gotta Work”

Unlike my mother who grew up in an old Army barrack tacked to the dusty farmlands of the San Joaquin Valley or my father who sometimes had to sleep in the chicken coop because his family’s house off of Franklin Boulevard in Sacramento was over-crowded with six other siblings, not only did I enjoy a spacious suburban room of my own, but I also had full governship of a pink and white miniature estate. At four feet, the Barbie Townhouse towered over my seven-year old frame. First released in 1975, my three-story edition boasted a blush bedroom suite with a lace canopied bed and matching pink armoire on the top floor. The second level living room afforded Barbie and her friends a cozy space to converse and enjoy tea while lounging on white wicker furniture. On the bottom floor, Barbie hosted small dinner parties and cooked in a cramped kitchen that lacked a stove, an oven, and a sink but offered instead a mini-refrigerator. The townhouse also featured a canary-colored pull-string elevator, which ended up stalling dramatic storylines. Between unspooling the pulley and positioning Barbie just right so her limbs wouldn’t catch as she was towed between floors, she eventually bypassed the elevator, so she could continue her arguments or flirtations uninterrupted.

***

Inspiration for this particular essay was partly borne out of that plastic pink dream we call Barbie. Before I fell hopelessly in love with Louise Erdrich’s tales or stumbled trying to follow the footsteps of Woolf, I wove stories and created characters using the most pink and most traditional of mainstream narrative tools.

Image from Celebrity Baby Blog

The Barbie Townhouse circa 1970’s release was my cardboard and plastic play-stage where I could re-enact and revise plot-lines from One Life To Live and All My Children with an ethnic twist. Instead of Barbie as the lead her friend, Island Fun Miko, was lady of the house and the center of all my Barbie narratives.

Image from Jemboy’s World

“Tropical Island Fun with Barbie and Miko” January 26, 2009

The Barbie Travel Agent Set was a surprise gift from Santa who, ironically, had designs to usher and initiate me into Third Wave Feminism:

Image from The Henry Ford Museum, “Happy 50th Birthday, Barbie!” March 2009