Craft is Culture: Psyching up for The International Creative Writing Conference 2016

Great International Acceptance

Joy. Trepidation. Excitement. Yours truly tumulted through a gamut of responses when I opened the email declaring acceptance of a presentation proposal I almost gave up on and didn’t submit. But how could I resist the chance to throw in my hat for The International Creative Writing Conference, UK to be held this coming June at Imperial College, London? And what better topic to tackle than identity and creativity?

I’ve just assigned myself a hefty reading list to hopefully answer questions I’m a little scared to approach. The urgency to these questions is undeniable, not just for myself but for our writing communities. Below is the abstract and following are a list of links and articles that have spurred my mission along with the reading list I’ve assigned myself for the next few months.

Craft is Culture: Writing & Reading A Global Imagination

“In my workshop we never explored our racial identities or how they impacted our writing—at all. Never got any kind of instruction in that area—at all…” Junot Diaz states in his “MFA vs. POC” (New Yorker, 2014) thereby igniting an urgent conversation about diversity in the literary arts. For historically marginalized artists, creative writing begins and ends with perilous tension. If we write and read from this premise, we are primed and prepared for the necessary conflict to fuel our art. How do we engage and interrogate craft to help us explore our understandings of identity and politics, and, conversely, how do we test notions of identity and politics to enrich and deepen our craft? Recognizing that craft is culture and that tension drives all creative writing, this presentation explores reading and writing practices to incite a global cultural imagination that ultimately pinpoints intersections where truth meets art.

“We’ve certainly seen an increased urgency among individual student writers to locate themselves and their work within the evolving culture,” she says. For some, that urgency comes from self-identification with a particular ethnic or racial heritage. Others want to explore race as a means, as Voigt says, “to expand imaginative empathy without encroachment or appropriation.”

Assigned Reading

ed. Rankine, Claudine, The Racial Imaginary 

Young, Kevin, The Gray Album

Shivani, Anis, Against the Workshop: Provocations, Polemics, Controversies

Anzaldúa, Gloria, Light in the Dark/ Luz en lo Oscuro: Rewriting Identity, Spirituality, Reality

and more to come…

The hope and ultimate aim is to expand these ideas into workshops engaging communities in the flesh. If you have any suggestions or would like to dialogue about craft and culture, please don’t hesitate. I’d love to hear your thoughts.


"Shyness is nice and shyness can stop you"

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