Evocations of Panthea



Harpers’ Magazine
does it again with a wonderful commingling of Emerson and Beethoven contemplating the world-soul.

In The Dial of July 1841, close to the time of this poem’s composition, Emerson writes: “Music is the aspiration, the yearnings of the heart to the Infinite. It is the prayer of faith, which has no fear, no weakness in it. It delivers us from our actual bondage; it buoys us up above our accidents, and wafts us on waves of melody to the heart’s ideal home.” He has been to a concert performance of Ludwig van Beethoven’s sixth symphony, the Pastoral. “Whoever has studied the Pastoral Symphony… will feel the difference between music which flows from an inward feeling of nature, from a common consciousness (as it were) with nature, and the music which only copies, from without, her single features. These pieces bring all summer sensations over you, but they do not let you identify a note or a passage as standing for a stream, or a bird. They do not say; look at this or that, now imagine nightingales, now thunder, now mountains, and now sunspots chasing shadows; but they make you feel as you would if you were lying on a grassy slope in a summer’s afternoon, with the melancholy leisure of a shepherd swain, and these things all around you without your noticing them.”

Read more at “Emerson’s World Soul” | Harper’s Magazine | 7, June 2009

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