My rating: 4 of 5 stars
**DISCLAIMER: This review is written by one of the contributors from the anthology. Please read with discretion.**
In her Borderlands/La Frontera, Gloria Anzaldúa writes of the mestiza consciousness: “The new mestiza copes by developing a tolerance for contradictions, a tolerance for ambiguity. She learns to be an Indian in Mexican culture, to be a Mexican from an Anglo point of view. She learns to juggle cultures. She has a plural personality, she operates on a pluralistic mode–nothing is thrust out, the good, the bad, and the ugly, nothing rejected, nothing abandoned. Not only does she sustain contradictions, she turns the ambivalence into something else.” The Filipino-ness, as discussed by Rocio G. Davis in his introduction and depicted by the twenty-plus authors in this anthology, develops more than a tolerance for contradictions but zeroes in on the good, the bad, and the ugly, drawing strength, voice, character, and meaning out of the ambiguity that lies at the inherent core of Filipino and Fiilpino-American experiences. Filipino history is Pluralism, and Cecilia Manguerra Brainard through her keen compilation and organization of these deceptively simple tales shows readers the complexity of individual experiences and stories in this beautifully orchestrated anthology.
Read entire review here at Ruelle Electrique